“Water Is…” Appears in Morphology Exhibit at In Situ Multi Arts Festival 2018

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It was a blustery cold evening when I entered the industrial brick building on Lakeshore Drive for Day 3 of the In Situ Art Festival. I wound my way through cinderblock halls painted in pre-war colours and emerged into a large high ceilinged hall. Morphology occupied an entire 40-foot long wall. Two huge screens, showing a bird’s eye view of the marsh site as well as other images, flanked the photo exhibit.

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Morphology Exhibit at In Situ

This was Morphology—created by the late Jim Tovey and continued by his wife Lee Tovey—a photo and writing exhibit celebrating the 26-hectare park and marsh creation on Mississauga’s Lake Ontario shore.

Over two dozen photographs by eleven photographers and a dozen quotes from my book “Water Is…” and upcoming novel “A Diary in the Age of Water” were on display. The photographs provided a range of perspectives on the early phase of the marsh construction that featureed aquatic habitat structures built four metres below the level of Lake Ontario. Councillor Tovey had earlier said of the construction project: “It sort of looks like a Salvador Dali surrealistic sculpture garden…and what an interesting way to really celebrate all of this.”

PhotoArt-Morphology

I’d walked the undulating “moonscape” with Lee Tovey earlier. Rolling berms snaked around pooled and dry depressions that disappeared in the fog. The smell of rain and mud pervaded as we set out in ankle-deep mud toward the snaking berms. I scrambled over rip rap chunks larger than me to glimpse Lake Ontario—its new shoreline re-imagined. Beyond, the lake vanished in a veil of fog. I was told that on a clear day you could see the Toronto Waterfront and the CN Tower. All I could make out was a few ghost trees that marked the nearby eastern shoreline.

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Nina Munteanu and Lee Tovey walk the site

Lee took me along a dyke embankment of clean fill made of red brick and cement riprap from various construction sites. “Clean fill” refers to anything like brick, top soil, gravel, and cement that has been tested for possible contaminants, as opposed to plastic, glass, or metals.

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Photo by Martin Pinker

Lee pointed left and right of us to depressions (containment cells) where Lake Ontario was being reclaimed for marsh-building. The depression on my left was still full of water; but the one on my right was fairly dry and already populated with anchored logs and shrub plantings to consolidate the wetland and provide refuge for marsh life. I could hear the large pump actively removing lake water at the south end of the evolving wetland. Beyond the high berm of human-sized riprap was the lake, its shoreline now redefined.

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Photo by Stephen Uhraney

As I gazed over the brown monochromatic landscape, I imagined a tapestry of greens in Councillor Jim Tovey’s vision: 26 hectares of future wetlands, forest and meadow and beach spanning the Lake Ontario shoreline from the old Lakeview generating station to the Toronto line at Marie Curtis Park. Part of the Inspiration Lakeview development, the marsh and wetland park have now been named The Jim Tovey Lakeview Conservation Area.

Small Arms Inspection Building

The 1940 Small Arms Inspection Building is the only surviving building on the original site of a munitions plant that manufactured guns and small arms for the Allied Forces during World War II. The 1910 water tower also stands nearby—a visible landmark. The industrial building was restored and designated an Ontario Heritage site. It currently functions as a multi-purpose site for community activities such as CreativeHub 1352 and the In Situ annual festival.

Morphology

Morphology was conceived by the late visionary councillor Jim Tovey who envisioned an evolving photography and writing exhibit to follow the progress of the marsh creation project of what is now the Jim Tovey Lakeview Conservation Area. Spearheaded and nurtured by Councillor Tovey, the marsh construction was part of 26 hectares of future wetlands, forest and meadow and beach. The Lakeview Waterfront Connection will span the Lake Ontario shoreline from the old Lakeview generating station to the Toronto line at Marie Curtis Park. Part of the Inspiration Lakeview development, it will restore pedestrian and cyclist access to a previously forbidden section of the waterfront to “connect 9.5 kilometers of shoreline for water’s edge experience for the public,” said Councillor Tovey.

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Jim Tovey with Elizabeth Dowdeswell, Lieutenant Governor of Ontario

To celebrate the residential / park development, eleven professional photographers were invited to photograph the marsh construction during its early phases. These images, along with water-inspired narrative provided by limnologist-author Nina Munteanu, were first displayed in an exhibit during a gala event January 14 2018, hosted at the Lakeview water treatment plant. Following Councillor Tovey’s untimely passing, his wife Lee Tovey and others (e.g., TRCA, CVC, Region of Peel) are continuing the project. Morphology was displayed for the public in March of 2018 at the Great Hall in the Mississauga Civic Centre. Its third appearance was at the In Situ Multi Arts Festival in November 2018. The artist showcase is expected to become an annual event, highlighting the progress of constructed ecosystem.

Morphology features works from: Gabriella Bank, Sandor Bank, PJ Bell, Darren Clarke, Julie Knox, Nina Munteanu, Lachlan McVie, Marcelo Leonardo Pazán, Martin Pinker, Annette Seip, Stephen Uhraney and Bob Warren.

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the west wall of the Morphology Exhibit at In Situ

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The east wall of the Morphology Exhibit at In Situ

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nina-2014aaaNina Munteanu is an ecologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. Nina’s recent book is the bilingual “La natura dell’acqua / The Way of Water” (Mincione Edizioni, Rome). Her latest “Water Is…” is currently an Amazon Bestseller and NY Times ‘year in reading’ choice of Margaret Atwood.

 

 

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